Carole Augustine Bio
June 15, 1953 - January 5, 1975 / Gemini / Age 21
Carole Augustine was a British-born Penthouse model, nude model, and actress, born on June 15, 1953 in London, United Kingdom.
Throughout her modeling career, she has also appeared as Carol Augustine.
Carole Augustine was crowned Penthouse Pet of the Month in February 1972, stepping into the spotlight at just 18 years old. With her statuesque 36-24-36 figure, charming brown eyes, silky black hair, and natural breasts, Carole radiates a fresh, playful energy — the kind of youthful allure that feels fearless, spontaneous, and impossible to ignore.
Beyond the glossy pages and flashing bulbs of the early 1970s men’s magazine boom, Carole Augustine carried the kind of mystique that editors loved and photographers quietly fought over. She belonged to that rare breed of models who seemed equally at home in front of a camera or stepping onto a film set, bringing a natural ease that made every frame feel a little less staged and a little more intimate. Her appearance in the cheeky British comedy Confessions of a Window Cleaner (1974) placed her squarely inside the playful, risqué cinema of the decade, a world where glamour girls were as essential to the story as the punchlines.
Carole’s heritage gave her an intriguing blend of cultures. Her mother carried Scottish and Polish roots, while her father came from South America, a lineage that lent her presence a subtle international flavor long before “global beauty†became a cliché. That mix of backgrounds seemed to echo in the way she presented herself—warm, slightly mysterious, and always aware of the effect she had on a room.
Magazine editors quickly noticed. Augustine appeared on several notable covers during the golden age of adult publishing, including Penthouse in February 1972, Men Only in August 1973, and the American edition of Oui in April 1975. Each appearance reinforced her reputation as a woman who could balance classic glamour with the playful boldness readers expected from the era’s most daring publications.
Those who worked with her often described Carol as both disarmingly approachable and quietly confident. She understood the theater of modeling—the teasing glance, the perfectly timed smile, the suggestion that the reader had caught her in a private moment meant only for them. It was this subtle command of mood and atmosphere that kept her photographs circulating long after the magazines themselves had faded from newsstands.
Her life, however, carried the shadows that sometimes followed the fast-moving glamour world of the 1970s. Carole Augustine died tragically from a combination of sleeping pills and slimming tablets, bringing an early end to a life that had burned brightly within the era’s intoxicating mix of cinema, modeling, and nightlife. Even so, her images remain a snapshot of a moment when glamour was daring, playful, and just a little bit dangerous—exactly the way Penthouse readers liked it.
