Shasta Lindstrom Bio
January 27, 1959 / Aquarius / Age 67
Shasta Lindstrom is an American-born Penthouse model, glamour and nude model, born on January 27, 1959 in Apple Valley, California, United States.
Shasta Lindstrom was crowned Penthouse Pet of the Month in March 1979, stepping into the spotlight at just 20 years old. With her statuesque 36-22-35 figure, hypnotic green eyes, honey blond hair, and natural breasts, Shasta embodies a bright, rising sensuality — fresh-faced, confident, and full of magnetic charm.
Shasta Lindstrom entered Penthouse with a charm that felt wrapped in lace, laughter, and just enough mischief to keep sweetness from ever becoming simple. She had the kind of beauty that looked perfectly at home among antiques and old romances, yet there was nothing dusty or timid about her. Instead, she brought a playful sensuality to the page, one shaped by nostalgia, softness, and a distinctly feminine delight in suspense. She did not come across as a woman trying to outshout the modern age. She simply made her own style of desire look far more fun.
What made Shasta especially memorable was the way she embraced old-fashioned romanticism without ever losing her sense of humor. Shasta was discovered in the California antique store where she worked, she seemed naturally drawn to beautiful things with history in them. That affection extended beyond objects to the emotional world she preferred — one built on charm, patience, comfort, and the thrill of being adored. Yet she was never solemn about any of it. Shasta could speak of wanting a protector and still make it sound playful, of longing to indulge a man and be indulged in return without surrendering an ounce of personality. She knew the game, and she clearly enjoyed it.
That sensibility gave her March 1979 pictorial, photographed by John Copeland, its particular glow. She had come from what she described as an overprotected background, with a father who spoiled her mother and a mother who spoiled her in turn, and she wore that legacy with cheerful candor. Romance, for her, was not a contest of autonomy but an exchange of pleasures, attentions, and carefully built anticipation. She wanted a man with humor, patience, and enough benevolent authority to keep things interesting, and she believed luxurious corsets, camisoles, and silky little distractions were not just adornments, but part of the pleasure itself. In Shasta's world, seduction was meant to unfold slowly, with plenty of teasing along the way.
That is why she remains so appealing. Shasta was not selling liberation as detachment or power as hardness. She represented another kind of freedom — the freedom to flirt, to fantasize, to enjoy being spoiled and to spoil in return. In Penthouse, she became more than a pretty March discovery. She became a portrait of romantic play at its most lighthearted, where coquetry had intelligence behind it and desire arrived smiling.
