November 14, 1968 / Scorpio / Age 57
Janine Lindemulder is an American-born Penthouse model, adult model, exotic dancer, and iconic porn star, born Janine Marie Lindemulder on November 14, 1968 in La Mirada, California, United States. Throughout her modeling career, she has also appeared under the names Janine Marie James, Janine Linde, Janine Lindemulder or Janine Lindemuller, each marking a distinct chapter in her evolving on-camera persona.
Janine Lindemulder was crowned Penthouse Pet of the Month in December 1987, stepping into the spotlight at just 19 years old. With her statuesque 34-24-36 figure, charming brown eyes, honey blond hair, and natural breasts, Janine balances youthful curiosity with a growing confidence, creating an allure that feels both innocent and daring.
When she appeared in Penthouse, Janine embodied the shift from classic ’80s glamour to something sharper, bolder, and unmistakably modern. Of Dutch, French, and English descent, she carried a striking blend of European sensuality and California cool. Her look was clean yet provocative, polished yet dangerous — the kind of beauty that didn’t just attract attention, it commanded it.
Fresh out of high school in 1986, Janine was already working as a dancer, supplementing her income while quietly building the confidence that would define her career. Penthouse became her first national stage. The camera loved her — and she loved it back. What readers saw wasn’t hesitation or innocence; it was presence. A young woman fully aware of her magnetism, yet playful enough to make it feel effortless.
Her December 1987 debut opened the floodgates. She would return to Penthouse multiple times over the next decade and was ultimately named Pet of the Year Runner-Up in 1990 — proof that she wasn’t a passing fantasy but a rising force. Penthouse also led her toward film, first with appearances in mainstream projects such as the Italian thriller Moving Target (credited as Janine Linde), and later in Spring Break USA and Caged Fury. Hollywood flirted with her, but it was clear she thrived in spaces where glamour met bold self-expression.
By the early 1990s, Janine transitioned fully into adult cinema, beginning with Andrew Blake’s Hidden Obsessions before signing with Vivid Video. There, she became one of the iconic “Vivid Girls,” developing a distinct screen identity. Early in her tenure, she adopted a girl-only performance policy — a decision that became part of her mystique and personal brand. She starred in more than fifty titles with the company, building a reputation for intensity, athleticism, and unapologetic sexual confidence.
But Janine never confined herself to one lane. She formed the exotic dancing duo Blondage with Julia Ann, appeared in Howard Stern’s film Private Parts, and became a recurring guest on Stern’s radio and television shows. Then came a true pop-culture milestone: in 1999 she appeared as the nurse on the cover of Blink-182’s album Enema of the State and in their music video for “What’s My Age Again.” That image alone cemented her crossover status, placing her squarely in late-’90s mainstream consciousness.
Inducted into both the AVN Hall of Fame and the XRCO Hall of Fame, Janine’s legacy in adult entertainment became undeniable. She stepped away in 1999 to focus on motherhood and even spoke of pursuing a quieter, more conventional path — yet the industry, and her fans, weren’t ready to let her go. Her 2004 comeback marked another reinvention, this time expanding her on-screen boundaries and proving that evolution, not repetition, defined her career. She later worked with major studios including Digital Playground and appeared alongside other high-profile performers, continuing to adapt to a changing landscape.
Janine Lindemulder’s story has included ambition, reinvention, turbulence, resilience, and return — but at its core is star power. Her original Penthouse appearance in December 1987 captured the beginning of a woman who would become far more than a centerfold. She was bold enough to cross industries, savvy enough to build a brand, and magnetic enough to remain culturally relevant across decades.